Update on the grampians post
“Is the frame always fascistic? Can the frame act as a portal opening onto other becomings, leading to the destabilisation of the ordered?” – machinepeople
“The fixed space of each frame can end up working like an entry point into a rhizome — in which ‘leaves’, ‘trees’, ‘forest’, ‘woodland ecosystem’ and all points “in between” end up forming part of the bigger multitude.” – ipis dei
This is the cover art for Grouper’s new record on Type:
Dragging a Dead Deer Up A Hill
It’s really something when the border is perceived as a perfect sphere. And the depth illusion of the little opening in the middle…. feels like the opposite of a mirror image.
